Been listening to a lot of Type O Negative these last few days and really missing the Hell out of Peter Steele. You can say whatever you want to about his appearance, and occasional run ins with the law, but he was a true talent that had an otherworldly charisma. Very few vocalist catch my attention by just singing one word, and Peter was able to do that. One of a kind voice, brilliant composer, and phenomenal musician. I'd have loved to have heard a Type O record that was written when he was 100% clean and sober. And yes, I'm aware he was clean and sober when he died, and I'm very proud of him for that, but we never got to hear his mind at work with the "clarity". It's a shame he's gone but I'm glad it was due to natural causes and not another Layne Staley case. Or worse.
I've also been listening to loads of Danzig as well and there's another sad story. But for very different reasons. The lineup on those first 4 records was so solid it just kills me to think of what they could have accomplished together if Glenn hadn't got caught up in the "evil disco" of '5: Blackacidevil'. It's a decent record, but it's not very Danzig at all. I can think of 3 tracks off of it that come close to sounding like Danzig, and one of them is a cover song ("Hand Of Doom"), one is a remix of a track the 1-4 lineup recorded ("Deeper"), and one just isn't Danzig-ish at all musically but lyrically is the closest ("Power Of Darkness"). Ugh. When our favorite artists drift too far from their origins it can just be... awkward sometimes. I'm all for creativity and experimentation and evolving as an artist, don't get me wrong, but sometimes as a fan you just go: "What... the Hell?". I'm glad Glenn was able to strike a perfect balance on "666: Satan's Child". That's a killer record. Probably the best after the firing of John Christ, Chuck Biscuits, & Eerie Von.
'Death Red Sabaoth' is great as well, but '666' just stands out for some reason. I suppose 'Death Red' is the closest to the Danzig mk.1 lineup material out of all post material. It sounds vintage, the drumming (done by Glenn himself) is swingy yet pounding, and lyrically it really does feel like and old 70's rock and blues album sprinkled with a touch of Satan by the Left Hand Black. Great stuff. And Glenn's voice is in great shape again on it, which is, well, great. It must have been shitty to have one of the best and most distinctive voices in Heavy Metal and have to distort it so much with sound effects just to sound decent for so long.